The Age of White Girl Booty Bling
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Oh my God
Becky, look at her butt
It is so big
She looks like one of those rap guys' girlfriends
But y'know, who understands those rap guys?
They only talk to her
Because she looks like a total prostitute ('kay)
I mean her butt, it's just so big
I can't believe it's so round
It's like out there
I mean, it's so gross
Look, she's just so black …
-- “Baby Got Back”
Sir Mix-A-Lot
According to celebrity gossip Web site TMZ.com, Jessica Biel is the new J-Lo – and she’s got the goods to back it up.
Black women are still reeling that Jennifer Lopez was crowned Booty of the Decade – a title they felt had been hijacked from swarthier contenders like Janet, Serena or BeyoncĂ©. Now comes the news that a white B-list actress is redefining bootylicious. To some, that’s almost as blasphemous as plastering Jessica Simpson’s dimpled mug on a box of Dark & Lovely.
“White women with butts like black girls” is a relatively new cultural phenomenon, and some may say – cheekily – fashion statement. In recent years, booty bling has been the must-have accessory to rock from the clubs to the red carpet. Balenciaga bag? Check. Manolo Blahnik strappy sandals? Check. Booty bling? Double check.
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So back to the booty. Why all the hatin' on Becky’s newfound butt muscles? "Fat bottomed girls make the rockin' world go round," as Queen informs us, so shouldn’t every woman want to hit the StairMaster or Pilates studio? For many sisters, the issue is larger than simply wanting to look good in a pair of Seven jeans. Bootyjackin' is reminiscent of Elvis Presley "stealing" black music then being credited as the originator of it – cultural appropriation at its finest. Another viewpoint is that sisters struggle with issues of invisibility and marginality, while simultaneously being hypersexualized in everything from Cognac ads to your garden-variety rap video. As author and journalist Lisa Jones writes in Bulletproof Diva, "Black women don’t have faces or souls, just big ol' butts."
The posterior is political. Black women have had junk in the trunk for centuries, yet mainstream America has never given them accolades on the level of La Lopez, and now Biel. Quite conversely, the black female butt has been the subject of ridicule and revulsion throughout the ages. In her essay, "Venus Envy," Jones explores the majority culture's reverence/repulsion toward the booty. She gives the example of Saarjite Baartman, a young South African woman who was displayed naked in a cage in London during the early 1800s. A British doctor brought Baartman from Capetown to exploit her big butt, and she was publicly exhibited for over five years. After her death, the "Hottentot Venus" was dissected, and her genitalia preserved in a jar of formaldehyde. Jones muses that young Saarjite’s preservation "was used to support almost a century’s worth of myths of white racial superiority." Those Londoners who shelled out big bucks to sneer at Baartman’s buttocks would be rolling over in their graves to know that some white women now shell out big bucks to rock that same "primitive" look.
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