Raw Divatude: Reclaiming My Inner Vegan Vixen

Most black women own a pair of jeans that they love, that flatter their curves, that display the derrière in high definition. Sadly, I’m curves-free, and I suffer from booty envy. But once upon a time, during my sojourn in the City of Angels, I did have denim that I adored. They made me feel sexy. Not Kim-Kardashian-showing-off-the-backshot-every-time-there-is-a-paparazzo-in-breathing-distance sexy, but confident. More than just a functional relationship, the jeans symbolized my victory in the battle of the bulge, a formerly overweight chick at ease in her own skin.

My denim was far from designer, but a cast-off Mudd brand that I had inherited from a good friend. They were a tight size 7, not camel-toe inducing, but comfortably cradling my tush, my hips and my legs. I never washed my jeans; I had them dry cleaned to preserve their true blue swagger, and I wore them like a uniform to the club, the industry parties and once, even up in the sanctuary.

But that fateful day arrived when I was no longer able to zip my jeans. No amount of struggling, lying on the bed, or sucking in my gut would force those defiant metal teeth to close. Even though junk food had been my constant companion, and I had gained about twenty pounds at the time, I felt sure that my true blue wouldn’t betray me.

I had struggled with my weight before, but a strict vegan diet helped me to lose fifty pounds, and I plummeted from 175 to 125 in 2000. I was able to hold obesity at bay until about 2005. A steady diet of emotional eating, lack of exercise and sporadic depression helped to pack the pounds back on. Even as my midsection expanded, I desperately clung to the belief that I was still a fly girl goddess flaunting my loveliness in size sevens. But I had to face the fabric. When I tried to squeeze into my jeans, they would rise no higher than my thighs. I was crushed. The love affair had ended. With much sadness, I bid those denims adieu, packing them away in the furthest recesses of my closet, a purgatory for pants that had not yet passed over to the other side.

I laid my jeans and my confidence to rest two years ago. In no time at all, I went from hottie to haus frau, hiding my girth in flowy skirts, oversized shirts and muu-muus. Belts were out, as was lycra. I wore nothing that called attention to my gut or my ponderous thighs. From time to time, I would venture to the nether regions of my closet, pushing past hanger after hanger of elastic-waisted pants, and hideous size 14 skirts, just to touch the fabric that once lovingly enshrouded my sexiness.

I was morose for a while, refusing to linger in full-length mirrors or department store fitting rooms. Not only did I miss my jeans, but I missed my self-esteem. A black woman without self-worth in Los Angeles — where fashion billboards glare down at her, daring her to aspire to Melrose’s size 2 standards of beauty, and every other ad is touting tummy tucks and liposuction — is lost indeed.

I found my mojo in living foods. On April 16, I embarked on a journey into the world of unprocessed, raw foods, and I haven’t looked back. No more lonely nights on the couch with a bag of Uncle Eddie’s vegan cookies and a book, or a bag of Barbara’s All Natural Potato Chips and a Slurpee. If it doesn’t grow, I don’t eat it. It’s that simple. I find my strength in sprouts and smoothies.

A little over a month after eating raw foods only, I lost 16 pounds. Although the mirrors of Nordstrom and Arden B. still intimidated me, I was slowly regaining my confidence. Not only did my new lifestyle provide me with tons of energy and mental clarity, I was also able to reclaim my inner vixen.

A few weeks ago, while getting dressed for work, I decided to try on some outfits that I hadn’t worn in awhile. While riffling through my wardrobe, my hand fell on the hanger that houses my beloved jeans. Even though I hadn’t been weighing myself regularly, I was certain they would fit. It was time for my old friend to cross over from pants purgatory to the heaven that is my heinie.

Cautiously, I wiggled into them. With some struggle, they rose over my thighs, but what if the defiant metal teeth still refused to close? As I zipped and buttoned my jeans, I felt like doing cartwheels in my bedroom. My sexiness had been resurrected. To be sure, my muffin top was still in effect, albeit not as bloated as before. My inner thighs still kissed. Not a long, passionate smooch, mind you, but a friendly peck. Self-love indeed.

Earlier this week, while at the nude Olympic Spa in Koreatown, I decided to weigh myself. What better time to hop on the scale than when you’re in the buff? To my surprise, I was 148 pounds. I’ve lost 27 pounds since April 16. Although I’m ecstatic to be within 10.5 pounds of my goal weight of 137.5, what brings me greater joy is feeling blissful in my own skin.

No matter how much weight I lose, I’ll never be bootylicious, nor do I aspire to be. But there’s nothing wrong with flaunting a little raw divatude in my denim.

Mane Manifesto (or The Nappy Goddess Emerges)

Give me your perms
Your fried hair
Your huddled naps
Yearning to breathe free …

kitchen \kich- ɘn\ n. 1: a place (as a room) with cooking facilities. 2: a [shameful] place at the nape of a black woman’s neck that houses her naps; resistant to heat. See also buckshot and beedy bees.



I was having a Do the Right Thing moment. It was a sweltering Saturday afternoon, and I was driving back home from Juliano’s, my favorite raw food restaurant in Santa Monica. Perspiration leaked down the sides of my face. My halter was clinging to me like a needy kid, and I was feeling cantankerous. Even the maca iced coffee that I had recently chugged down couldn’t cool off my emotions. Like Mookie, the ne’er-do-well pizza delivery guy from Spike Lee’s epic flick, I was certain the triple-digit heat would force me to do something radical.

Stuck in traffic on the 405 freeway and listening to Mary J.’s womanist anthem “Just Fine,” I fingered my kitchen, the snarl of hair at my nape. Although I secretly preferred this kinky texture to my straightened, highlighted tresses, like most black women with processed coifs, this area was often kept hidden, a deep source of personal shame if someone rolled up on you from behind and saw your buckshot on display.

I had been thinking about my mane a lot lately. Even though I was on an every-two-weeks schedule with my hairdresser, the flurry of flat irons, blow dryers and spritz, and the results they produced — kink-free tresses — didn't bring me as much joy as they once did.

For colored girls who have considered peroxide …
When I met with my stylist last month, we laid out my look for the summer. She would give me a cute short cut and then highlight the hell out of it. I was thinking in advance of the praise I would receive for my bold new look, how the multi-hued ‘do would compliment my features and the color-coordinated outfits and accessories I would rock with my new style. But I couldn’t shake the unease I felt about going through with the plan. Every subsequent visit to the salon found me putting off the peroxide. My hair had been growing out for a few months, and I was reluctant to undergo a chemical process. Dare I say it didn’t feel natural?

Just as I had embraced a raw foods diet a few months ago — shunning chemicals and processed foods — I was experiencing a similar paradigm shift with my tresses. I felt like my hair needed to be healed.

Deep down, I didn’t want my mane to become my identity. Although I liked the attention from folks in the organic market and random shoppers at the mall, I felt weighed down by my hair. As summer approached and temperatures climbed, my social life was restricted. The slightest bit of moisture could wreck my pressed coif. Invites to the beach were reluctantly accepted, swimming was a no-no, bikram yoga was definitely out. Even exercise was limited for fear of jacking up my edges and incurring the knotty wrath of my kitchen.

A radical idea was budding. I would cut my hair. Off. All the color out of it. I would rock a natural hairstyle, free of chemicals, preservatives, BHT, Yellow #5 and dye. Immediately after I had that thought, I was gripped with fear. I couldn’t chop my hair off. I lived in L.A. — the yaki capital of the U.S., where long hair is privileged and straight hair is queen. Ten years of living in this town have shown me that most people judge you on appearance alone. Folks would no longer think I was cute. Brothers wouldn’t look at me three ways. White women would pet my hair and fetishize and exoticize as if I were some caged animal on display at Universoul Circus.

Reluctant revolutionary
So I was still stuck in a sea of chrome and brake lights, humming along to Mary J. and trying to figure out the future of my mane. Short cut and highlights? Shorn like Audre Lorde? What was a diva to do?

I’m conscious … for the most part. I realize that natural hair is a form of resistance to accepted standards of beauty, a smack in the face to the weaves and extensions that were blowing past me on the 405 freeway from convertibles and through the windows of SUVs. Unprocessed hair is also a form of self-love, a way of saying, “Yes, I accept and embrace my kitchen, in all its kinky glory. I am black and beautiful.”

And yet the most pressing (no pun intended) decision on my mind was this: How could I rock a natural look and still preserve my flyness? In my mind, unprocessed hair was reserved for revolutionaries, and even though I’m down with Fanon and bell hooks, and listen to Pacifica radio on the daily, I wasn’t ready to trade in my designer duds for kente cloth and cowrie shells.

Like Mookie, I had a decision to make. I couldn’t deny that I felt oppressed by my tresses. I didn’t feel like a fully self-actualized woman with my current state of hair. Besides, it was hot as hell, and I wanted to get in the water without worrying about my locks for once.

Like Mookie, I was a reluctant revolutionary on the threshold of enlarging my consciousness. I envisioned Spike Lee’s character on the cusp of such a decision, an average Joe, an affable baby daddy with a one track mind — to get paid. But a sizzling New York day brought out his inner militant. I pictured him in the scene outside Sal’s pizza parlor, Radio Raheem dead at his feet, white racist cops behind him trying to restrain the growing black tribe of protesters. I saw this common pizza delivery cat picking up a trash can, and with an angry warrior cry of “Radio!” smashing the plate glass window of his oppression, increasing the margins of his existence.

I too am just an average chick with a one-track mind — a desire to succeed as a writer in the sunny jungle of La La Land. But the heat — external and internal — has radicalized me. I have been wearing my hair straightened or chemically processed since I was eleven, the victim of a failed kiddie perm. It was time to change the paradigm. I would defiantly break through the attempts at marginalization based on my appearance, even those efforts that were self-inflicted. I would cut my hair off, and I would still be fly, Ntozake Shange of the Sex and the City set. I saw the nappy goddess in me and loved her fiercely.

Kitchen liberation politics
By the time I exited the freeway and was a few miles from home, my mind was made up. My hair would be three or more inches shorter before sunset. As if further confirming my decision, I saw a peculiar sign outside my neighborhood church. Every week, the marquee in front of the building features a new message, and this week’s motto was: “Let’s go swimming.” It was as if the Almighty himself was saying, “Just do it already. Sheesh!”

As soon as I stepped into my apartment, I changed clothes, washed my hair and grabbed a pair of scissors. But uncertainty was a clenched fist in my chest. Even though the ends of my mane were dry and damaged from years of highlights and press ‘n curls, I was hesitant to part with those dead strands. I would be severing myself from an identity that I had held onto for so long, one that I had privileged and cherished.

But my kitchen was begging for liberation and defiantly so. The day’s heat had morphed that area into a baby afro. I was already halfway through the process. Why not just hack off the dead hair and let my new, revitalized self emerge?

Emboldened, I started snipping. I lifted a handful of hair and cut it. Lift and cut, lift and cut, lift and cut, until my reddish-brown tresses pooled at my feet. I stared at myself for a long time in the mirror, trying to decide if I liked my new look. I checked myself out from all angles, taking in the jagged tufts of hair, the kinky-curly texture, the bold new kitchen that had suddenly shifted out of the shadows and into the light. I liked my new style, but more importantly, I liked me.

Lady in the Water
The next day, I threw on a bikini under my sun dress and headed to Santa Monica beach. In the ten years that I’ve lived in Los Angeles, I can count the times that I’ve visited this particular body of water, or Venice Beach or Malibu, on both hands. But I was on a mission to submerge myself.

As usual, the shore was filled with sun seekers, kite-flying kids and couples getting their PDA on on a beach towel. I found a spot on the sand next to a woman engrossed in a novel. After asking her to watch my bag, I headed to the water’s edge, unafraid this time. I splashed handfuls of the Pacific Ocean on my upper body, getting acclimated to the cold temperature. In the distance, surfers rode a massive wave, whooping with delight. I rushed to meet it, and the briny breaker washed over me, baptizing me into my new life.

I stood in the ocean for a while, watching seagulls lazily circling overhead, gazing at the mountains sloping in the hazy distance. Not only would I be a fly girl with a natural ‘do, I would also become a beach bum. Maybe I would make the trek to Malibu next weekend. Whichever shore I selected, I knew I wouldn’t have to worry about my kitchen. My kinks were on display for the world to see, and for once, I was unashamed. I knew I had done the right thing.

Resurrecting Jamiel’s Dream

Parents should never have to bury their kids. They should never have to stand at a bier gazing down at the body of their beloved, but Jamiel Sr. and Anita Shaw were unable to escape such a heartbreaking fate.

Yesterday, I went to the homegoing ceremony for their son, Jamiel. Affectionately known as “Jas,” the 17-year-old football star was gunned down last week three doors from his home. I don’t know the Shaws, and I’m not a friend of the family. I have never attended a funeral for a total stranger. I’m not like that nosy old lady who scans her newspaper’s obituary column and then enlists a gaggle of grannies to bumrush random burials. Jamiel’s death moved me. I wanted to stand in solidarity with his loved ones, as well as figure out how I could contribute to the healing of a city shattered by gang violence.

I slunk into the sanctuary of West Angeles Church of God in Christ, worrying that my outfit was a bit too bright for the somber occasion. Eric Clapton’s song “Tears in Heaven” played in the background as a montage of images — Jamiel as a baby being cradled by his grandfather, the chubby-cheeked toddler getting his first haircut, the pre-teen lovingly embracing his pops — rotated on the jumbo screens. Ushers shook tissue boxes at arriving mourners. Little boys strutted proudly in their too-big suits, blissfully unaware of the heartbreak on the program.

I walked up to the altar to view the body, right behind men wearing yellow gang intervention jackets. A teen behind me muttered, “I hate this shit!” From his angry outburst, I knew it wasn’t the first funeral he’d attended for a friend and probably wouldn’t be the last.

Jamiel lay in a blue casket draped with a white veil, a male sleeping beauty who would awaken with the kiss of a princess. He could have been anyone’s son, cousin, nephew, best friend. I couldn’t look at his face. I felt guilty. I focused instead on the interior of the coffin, which was inscribed with the hymn, “May the work I’ve done speak for me.” The words should have been a testament to a 70-year-old man, not a 17-year-old kid who looked forward to playing ball at Stanford or Rutgers.

Shortly after I took my seat, Jamiel’s family and friends filed in. His teammates — sporting cornrows and blowouts and fades — led the funeral procession in their blue-and-white football jerseys. Some wept openly. Others were mean-muggin as if on the field staring down an invincible foe. Next in line was the family, also wearing suits and dresses in Jamiel’s school colors. I lost track of his mom and dad in the bleak parade, but I caught their reactions on the overhead screen. Jamiel’s mother, Sgt. Anita Mae Shaw, was in Iraq on her second tour of duty when she received the phone call that her son was dead. Now she joined his father at the lip of the casket and his 9-year-old brother, Thomas. His parents viewed the body for a long time, shaking their heads in disbelief. Jamiel Sr. pressed a black handkerchief to his eyes frequently.

I’ve often wondered how families hold on to their faith when it seems as though they’re staring at the very nape of the Almighty. But even through her tears, Sgt. Shaw sang along with the soloists, or raised her hand, testifying, as they belted out “His Eye is on the Sparrow” and “Walk around Heaven”:

One of these mornings
It won’t be long
You’ll look for me
And I’ll be gone

I’m going to a place
Where I’ll have nothing to do
But just walk around
Heaven
All day

Los Angeles Mayor Antonio Villaraigosa addressed the 300 or 400 mourners in the cathedral and preached a message of forgiveness.

“Jamiel would tell us to remember him with our actions,” he said. "I think he'd tell us that we can't give in to fear, that we must stand up to it."

He recalled how he initially crossed paths with the teen. Shortly after his election, Mayor Villaraigosa planted a tree in the Shaws’ neighborhood to signify the growth and revitalization he envisioned for the city. In a twist of fate that is darkly poetic, when Jamiel was shot, his body fell a few feet away from the tree.

Jamiel Shaw Sr. rose to pay tribute to his son, apologizing in advance if he broke down on the dais. He denounced the idea that interracial hatred played a part in his son’s death, pointing out that Jas had many Hispanic friends and classmates.

“Jamiel was above black and brown,” he said, instructing the cameraperson to pan the football team, a patchwork of brown and black faces. “If blacks and Latinos come together, you know how powerful that will be?”

The elder Shaw pointed to a picture of Jamiel on the stage. The teen had taken the photo but died before it was developed. It showed Jamiel in his blue-and-white #4 jersey, holding a football, confidently pointing at the camera. This same image, I would later learn, was emblazoned on flyers beneath the ominous caption, “Do You Know Who Killed Me?”

“He’s pointing to us, and he’s saying, 'It’s up to you,'” Jamiel’s father said, his voice breaking. “It’s up to each one of us to make a difference so we can walk in our communities.”

Although the football star never realized his father’s “18-year plan” to ultimately go to college by staying in school and off drugs, Jamiel Sr. wants to continue that dream for other teens by establishing a foundation in his son’s name.

The eulogy was delivered by Dr. Hozell C. Francis, who is also Jamiel’s uncle. Dressed in a red-and-white robe, the pastor spoke fondly of baptizing his nephew, of the young adult who was always respectful to his elders, who attended church every Sunday and led his team in prayer before their games. But anger punctuated his conversational tone.

“We’ve got to do better than this!” he said, voice thundering through the sanctuary. He paused to note the irony of Sgt. Shaw flying home from Iraq to bury her son. “Here is a mother fighting terrorism on foreign soil, and lo and behold, street terrorism is right here.”

Even though Pastor Francis admitted that he couldn’t make sense of Jamiel’s murder, he didn’t want the young man’s death to be in vain. He encouraged the mourners, particularly the younger generation, to embrace the scripture Jeremiah 29:11: “For I know the plans I have for you, plans to prosper you and not to harm you, plans to give you hope and a future.”

Although it seems like hope was sealed up in a baby blue casket and laid to rest at Inglewood Park Cemetery, I do believe there is another plan. There has to be. Parents should not have to bury their babies. Just two days after Jamiel’s murder, 6-year-old Lavarea Elvy was shot by alleged gang members while riding in his parents’ SUV. He remains in critical condition with a bullet lodged in his head. Thirteen-year-old Anthony Ezquiel Escobar wasn’t so lucky. Two days after Lavarea’s shooting, Anthony walked into his neighbor’s yard to pick lemons and was later found with a gunshot wound to the head. He died with the fruit still clenched in his fists. His killers, alleged gangbangers, are still at large.

After the funeral, I received a text that one of Jamiel's killers was in police custody. Ironically, the Shaws were burying their son while the man accused of murdering him faced the death penalty. The arrest won’t bring Jamiel back, but it sends a message to gangbangers that terrorizing our kids won’t be tolerated. As Jamiel Sr. says, every child should be able to walk in his neighborhood without fear.

As I type this, Jamiel’s “Do You Know Who Killed Me?” flyer is propped up beside my laptop. And all I can think about is a gifted teen lying in a pool of blood beneath the tree that symbolized so much hope. We can’t raise Jas from the dead, but we can work to resurrect his dream.

To donate to the Foundation for Jamiel Shaw II, contact the USC Federal Credit Union, University Park Campus, 1025 W 34th Street, King Hall, 2nd Floor MC 2280, Los Angeles, CA 90089. Phone: (213) 821-7100 and fax: (213) 821-7151.

If you have any information regarding the murder of Jamiel A. Shaw II, please contact the Los Angeles Police Department. The toll-free number is (877) LAWFULL. A reward is being offered.

Fear of a Brown Planet, Part Dos

Reading my city’s homicide blog has become a guilty pleasure for me, like collecting Coach bags and surfing for Internet porn. The listings, compiled weekly from the Los Angeles County coroner’s office, are classified according to race and method of murder. Occasionally, the blog provides a snapshot of the victim’s life so as not to reduce him or her to just another faceless statistic. While I sympathize with the families of the departed, I still feel like a Peeping Tom gazing into other people’s pain.

I came across an entry a few days ago that shattered the window of my cyber voyeurism: the murder of 17-year-old Jamiel Shaw. Shaw was a high school MVP who was wooed by Stanford and Rutgers mere days before his death. His story had all the elements of an urban tragedy: a promising football star shot down right before he made it out of the hood, a killing that occurred three doors from his house, a mother on her second tour of duty in Iraq returning home to bury her son. Yet, one detail of this horrific crime infuriated me more than any other: Shaw’s assailants were Hispanic.

It’s hypocritical of me to ruminate on the interracial aspect of this murder because statistics show that 90 percent of black victims are killed by fellow blacks. Would I be as angry if Shaw were a garden-variety gangbanger caught in a hail of Crips gunfire, or if he were a Latino honor student ambushed by black thugs? Sadly, I wouldn’t. Maybe I have bought into the media hype of “ethnic cleansing" in Los Angeles, from the senseless killing of 14-year-old Cheryl Green — a black eighth grader who was gunned down by Hispanic gang members as she played with her friends — to Latino gangs like Florencia 13 and the Avenues who were involved in several high-profile racially motivated homicides. When I’m driving through certain areas of L.A. lined with bodegas y laundromats, I have an illogical fear of being targeted for my skin color. Sometimes I feel like the proverbial white woman who clutches her purse as a black guy walks past her on the sidewalk.

Maybe I’m guilty of racial fealty. Maybe I privilege the preservation and superiority of my own tribe above all others, and Shaw’s death — the good black kid on the road to success — deducts points from the ethnic scoreboard. Maybe I’ve allowed myself to get caught up in a wave of anti-Hispanic hysteria, which pushes the narrative that Latinos are hostile to African-Americans, won’t vote for a black presidential candidate and are taking all the good jobs.

Whatever the case, I've allowed my emotions to get the best of me. Right after I read about the running back’s violent death, I fired off an e-mail to Antonio Villaraigosa, the Latino mayor of Los Angeles. The angry missive began by accusing him of stumping across the country for Hillary Clinton to drum up Hispanic support for her campaign while black-and-brown conflict was escalating in his own backyard, and ended with the assumption that if a rash of black-on-brown crime occurred in Los Angeles, he’d be holding bilingual press conferences weekly. The e-mail was vitriolic, racist and a bit premature. As I sheepishly noted hours after hitting the send button, Mayor Villaraigosa attended a candlelight vigil for Shaw and said his murder may be prosecuted as a hate crime.

I don’t want to become that angry black chick with fears of a brown planet. I don't want to be that dysfunctional diva who panics at the sight of every newly erected bilingual billboard, who reduces every Hispanic – regardless of country of origin – to Mexican, who contemplates calling the cops on the homeowners across the street for blasting merengue from an ancient radio on their back porch, but who tolerates the deafening bass of My Chemical Romance emanating from the apartment of the college students next door, who fears driving south of Wilshire or east of Vermont, and who allows self-imposed perimeters to not only block out “aliens,” but to fence herself in.

Even in the midst of his anguish, Jamiel Shaw Sr. didn’t view his son as the casualty of a brewing race war. "I don't see it as black and brown," he said during an interview. "I see it as a gang problem."

I could take some notes from the elder Shaw and examine my own prejudices. Instead of viewing every injustice through a brown-and-black lens, I need to determine what I can do to promote tolerance and healing.

As of this writing, the homicide blog is featuring a snapshot of Antwan Cole, a 19-year-old black male who “loved people” and “was going places.” The former football player, who had dreams of becoming a sports commentator, was shot at a bus stop after his evening shift. Instead of scanning the ten or eleven paragraphs of his memorial to see if his assailants were Spanish-speaking, I can honor Cole’s life — as well as Shaw’s — by focusing on his legacy.

To donate to the Foundation for Jamiel Shaw II, contact the USC Federal Credit Union, University Park Campus, 1025 W 34th Street, King Hall, 2nd Floor MC 2280, Los Angeles, CA 90089. Phone: (213) 821-7100 and fax: (213) 821-7151.

If you have any information regarding the murder of Jamiel A. Shaw II, please contact the Los Angeles Police Department. The toll-free number is (877) LAWFULL. A reward is being offered.

Karrine Steffans:
An I-Con of Urban Literature

“People just thought I was, like, a hooker … they didn’t know I was, like, an intellectual with a book.”
– Karrine Steffans

I was apprehensive about purchasing The Vixen Diaries, the second installment in Karrine Steffans’ sex-soaked memoirs. Yet, I couldn’t honestly analyze a book that I hadn't read. So last weekend found me sitting in Borders — less than two miles from the former video girl’s million dollar Sherman Oaks home — sipping an inferior soy chai latte as I pored over her latest tome.

Why was I so uneasy about this author, a woman whose first book, Confessions of a Video Vixen, spent nearly a year atop the New York Times best-sellers list? Partly because I take issue with Karrine’s fly girl brand of feminism. In Confessions, she dished the dirt about her sexcapades with A-listers (among them Diddy, Shaq and Jay-Z), and then framed her book as a cautionary tale for vulnerable young women trying to come up in the cutthroat entertainment industry. Despite an absent father, an abusive baby daddy, and countless lovers who bedded her then bounced, she was able to throw off the shackles of patriarchy to become a rich and successful businesswoman in Hollywood.

Yet, for all of her pseudo-empowering pontificating, Karrine comes off as a coon, a hypersexualized Stepin Fetchit in a risqué minstrel show. During her recent publicity blitz for The Vixen Diaries, I caught several of her interviews, and they didn’t make me want to throw a fist in the air for women’s solidarity. On the “Wendy Williams Experience,” Karrinne just sat and laughed as the titular talk show host administered countless verbal smackdowns.

“You are amazingly clean-looking to be such a dirty hooker,” Wendy deadpanned. “Compared to your ‘whory’ acts … for somebody who doesn’t know you, they would think you were virginal.”

Likewise, on Jamie Foxx’s radio show, Karrine's message of self-actualization for black women was eclipsed by cries of “skank” and “ho,” and questions about the penis size of her lovers. In both interviews, Karrine tried valiantly to maintain her elitist demeanor while simultaneously packing switchblades in her responses. “I’m a highly educated woman who just knows how to tap into my nigger side,” she boasted.

The same could be said about her writing style, which is ghetto grandiose. And yet, I found The Vixen Diaries decidedly lacking in passion. In a word, boring. In this soulless stream of consciousness, the artist formerly known as Superhead brags about being a New York Times best-selling author, her appearance on Oprah, her magazine covers, her Sherman Oaks house, her Benzes, her posh red-carpet lifestyle … then throws in a gratuitous romp with an anonymous Hollywood icon, or half-heartedly mentions her lunch dates with B-list celebrities. The tone of The Vixen Diaries is condescending and detached — she could just as easily be signaling for valet at The Ivy. She tries to pass off the lack of spicy sex scenes in this book as emotional maturity and spiritual growth, when in fact, she exhausted the more salacious details of her life in Confessions.

Karrine wants the reader to believe that her journey is both tragic and triumphant, that she is a talented young woman who felt marginalized in a male-dominated industry, but was still able to survive. For her, sex is an equalizer. As a black woman who has struggled to “make it” in Hollywood as a writer, who has felt both invisible and objectified, I wanted to sympathize with Karrine’s plight. Yet her story is lacking in literary integrity, and reads more like self-parody.

“I know the game and what it takes to be respected,” she writes. “I know how to use my intellect and not my body. These days, I walk into a room as Karrine Steffans, mother, New York Times best-selling author, entrepreneur and woman to be reckoned with.”

Although Karrine attempts to shed her Superhead trademark, she is indelibly stamped as a tramp. People pick up her books for mental masturbation, not for intellectual stimulation. She doesn’t realize that folks are far more interested in her sexual roster than in her transformation, hence readers who have trashed The Vixen Diaries for having less libidinous bling than its predecessor. If recent reviews are any indication, the star of this seductive scribe is on the wane.

It’s interesting that Karrine is both reviled and relevant because of her sexploits. She tapped into the zeitgeist, a post-modern hip-hop culture that glamorizes “money, clothes and hoes," and idolizes those smart enough to get rich or die trying. When I attended last summer’s Harlem book festival, I was amazed (and saddened) by the glut of “nigglature” on display. Folks flocked to the tables of authors who exploited every aspect of urban life — pimps, drug dealers, baby mamas and the ubiquitous Prada-rocking club chick on a mission to get paid. I’m not knocking anyone’s hustle. Everyone has a story to tell, and African-Americans are underrepresented in the Western literary canon. But when folks are more familiar with Superhead than with Sula, Houston, we have a problem.

Even Karrine seems to understand that she is a product (and beneficiary) of the very culture she condemns. “The irony is, I have become an icon by sleeping with many of them,” she writes. “Something about that gives me an uncomfortable feeling and not because of my sexual roster but because of the weight that society places on the celebrities on it. For this I am iconic? Jeez.”

Despite seeming disenchantment with her “i-con” status, Karrine continues to capitalize on the Superhead brand. A third book is on the horizon, allegedly a titillating but fictionalized account of her life. Although she fancies herself a rebel and a street heroine who continues to hustle the system, Karrine is simply a narcissistic opportunist whose confessions are better left unsaid.

National Day of Panhandling for Reparations

OK, so sometimes you can symbolically support a movement, right? I got $6 coming to me from a white friend, and I will definitely reroute it for the revolution!

I saw this on askthisblackwoman.com:

Today is the National Day of Panhandling for Reparations! People all across the United States are taking an hour or two to sit in a range of locations in their communities: outside of businesses, libraries, museums, art galleries, or on busy street corners. We wear signs reminding passersby of the history of slavery in the United States. We collect reparations in the form of money from white Americans for the enslavement and free-labor of Africans and African Americans during the establishment and economic rise of this country. This money is immediately paid out to black passersby. Both parties are offered a receipt. We do this to offer a convenient opportunity for American citizens to acknowledge, apologize and compensate the unpaid labor of African Americans, the travesty of slavery, and the rightful due of reparations."

National Day of Panhandling for Reparations was created by artist damali ayo.

More Than a Photo-Op?
When Pretty Women Go Missing

When surfing for news about black folks, I usually log on to the “ghetto grapevine” before I visit CNN or the New York Times. The black underground was where I first learned about Megan Williams’ rape and torture in West Virginia and the Jena 6. These outlets may not always be objective in their reporting, but when it comes to covering issues affecting the black community, they make the mainstream media look like they’re running on CP time.

While browsing the message boards of one popular black Web site, I came across the name Nailah Franklin. The 28-year-old sales rep from Chicago had been missing for a week at the time and was presumed dead. Cyber prayer circles were forming. Condolences were being offered in advance. Calamity united total strangers.

Then the blow came: Nailah’s badly decomposed body was discovered behind a vacant store. It was so unrecognizable, she had to be identified through dental records. Shock quickly turned to sadness as mourners remarked on how unfair it was for someone so pretty to meet with such a tragic end.

Pretty. Beautiful. Wholesome. These are just a few adjectives used to describe the young woman. I confess, when I first glimpsed Nailah’s picture, I couldn't stop staring at it. In every pose, she looks sun-kissed. Maybe it’s the cynic in me, but I wonder if Nailah’s case would have garnered national attention if she weren’t so photogenic.

A recent Sun Times commentary said Nailah’s “all-American girl face” humanized her disappearance. That leads my inner cynic to inquire: If Nailah resembled Serena Williams – a woman whose features are not considered as American as apple pie – would her story still be endearing? Are we more sympathetic when disaster strikes pretty people?

Our culture places such a high premium on beauty that missing black women who don’t typify the all-American ideal fail to earn equal face time on the nightly news. "Unless it's a pretty girl ages 20 to 35, the media exposure is just not there," says Kelly Bennett, a case manager for the National Center for Missing Adults.

A story that has not received a significant amount of coverage is the disappearance of 22-year-old Stepha Henry. An honors graduate of John Jay College of Criminal Justice in New York, Stepha vanished on May 29, 2007 while vacationing in Florida. Although she received a paragraph or two in a few media outlets, her story was largely ignored.

Many blacks decried the lack of coverage for Stepha’s case, and considered her a casualty of Missing White Woman Syndrome. This mocking phrase describes relentless media pursuit of photogenic "damsels in distress," among them Natalee Holloway, Laci Peterson and Jessie Marie Davis.

I don't mean to trivialize the tragedy that befell Nailah Franklin. She was a vibrant young woman who was well-loved by family and friends, and she didn't deserve to die. Yet, I hope she is not reduced to a photo-op used to sell newspapers and ad space. Women of color who go missing are underreported in the media, so I’m thankful when these stories get any mention. I hope her case shines a spotlight on other sisters who vanish from parking lots and restaurants and sidewalks across America — regardless of age, economic background or good looks.

I know it’s impossible for the mainstream media to report on every woman who fails to make it home, but I hope future cases aren’t assigned relevance based on beauty.

Saturday Freestylin' and Profilin'

Just checking in and making good on my commitment to write for three weeks straight. Since Monday, I’ve been posting here and on my other blog Crossing Sunset. For the mathematically challenged, I’m on day — or should I say night — number six. I have much love for those writers who have the discipline to sit at their computer and blog every day. It's challenging for a sista! I feel like I'm cheating because I usually labor over a laptop for hours on issues that I find meaningful, or at least humorous. But today I'm freestylin'.

This post is going to be quick and dirty because I'm on my way out to dinner, Zagat guide in tow. I'm in an exploratory mood, which began earlier in the day. I stopped by the California African American Museum in South Los Angeles and became a member. Saw "A Woman's Journey: The Life and Work of Artis Lane," a beautiful exhibit on transcendence and transformation that I'll be examining in depth tomorrow on Crossing Sunset. In the ten years that I've lived in Los Angeles, I'm ashamed to say I've only visited CAAM twice: once to attend a reception for the legendary photographer Gordon Parks, and then for a Brown vs. the Board of Education screening.

I feel like I inhabit two L.A.'s, or rather, I'm acutely aware of the duality of being a black woman in a predominantly white and Latino city. There's the flip-flop rocking, mall-hopping, organic mart shopping Valley Girl, and then there's the south of Wilshire sojourner desperately in need of negroes and culture. There are no ethnic (land)markers on my side of the canyon — no beauty salons boasting "100 percent human hair," no $1 soul food restaurants, no swap meets ... no African-American museums.

I'm torn because I want to finish this post, but my stomach calls, and so does my friend, wondering why I'm late — again.

Time to go profilin'. Signing off ... for now.

Why I Write

My mother often reminds me that my dysfunction didn’t commence when I moved to the City of Angels, but began at the tender age of six or seven. Around that time, I started writing obituaries: “Kristy was killed by her father today…” “Timmy got ran over by the school bus…”

They were pretty morbid stories, the stuff that fills psychiatric files. But the carnage cluttering my literary landscape wasn’t the work of a burgeoning serial killer. Those dark eulogies were simply the means for a lonely little girl to exorcise childhood's demons.

By age 10, I started journaling. I remember trying to erect a time machine from a toy baby carriage and some miscellaneous items around my grandmother’s house. I wanted to document my journey to the past, my voyage from a life of invisibility. It was at that time that I discovered Stephen King, Dean Koontz and the Twilight series — teen horror paperbacks that my mom dismissed as “occult books.” I wasn’t fascinated by vampires or gruesome murders. What enchanted me was the ability of little girls to set a foe aflame from fifty feet, or telepathic teens who could levitate the school bully to another plain.

I grew up in a small town ten miles northwest of Philadelphia, and was often teased for “talking white.” While my cornrowed neighbors were jumping double Dutch on the sidewalk or hanging out on the stoop listening to Salt n Pepa, I was locked in my room penning the ‘hood version of Carrie. I identified with King’s psychokinetic protagonist because she too knew how it felt to be the odd kid on the block.

I still feel like the odd kid, but now I’m learning to embrace my otherness. I enjoy writing essays and novels that celebrate that curious, disenfranchised and marginalized character — the dysfunctional black diva. Yet, I have trouble negotiating my love for the vapid and materialistic with the need to examine more political and intellectual matters. I felt conflicted for not blogging about the Jena 6 case, Bill O'Reilly’s off-color comments about black folks, or Megan Williams’ rape and torture by six white people in West Virginia. I’m sometimes plagued by the notion that I’m not intelligent or informed enough to critique relevant social issues. It’s not that I’m oblivious to racism, sexism, classism and other interlocking systems of oppression. It’s just that I’m more at home with essays that begin: “A funny thing happened on the way to my colonics appointment …”

When I write about the comedic but mundane, I worry that I won’t be considered a conscious writer. I appreciate the politics of Fanon, Cornel West, bell hooks, The Last Poets and Gil Scott-Heron — in fact, I interviewed Scott-Heron when I lived in Baltimore after his set at the Arena Players. But I also spend hours reading Stephen King or perusing perezhilton.com. I’m an information junkie. I read feminist blogs, Latino blogs, gay blogs, conservative and left-wing blogs, black militant to evangelical Christian sites, Bossip to Slate, Crunk & Disorderly to Salon … and they all inform my writing.

Sometimes, I return home from a full-time job and sit at my laptop until four or five in the a.m. Writing is lonely work, but it’s also redemptive. I want to explore the struggles of women who not only battle bigoted bosses, but who also have hair care woes. Like bell hooks says, “There is a world of thoughts and ideas women have yet to write about in nonfiction — whole worlds of writing we need to enter and call home. No woman is writing too much. Women need to write more. We need to know what it feels like to be submerged in language, carried about by the passion of writing words.”

As trite as it sounds, writing is my passion. Little did I know that as I was killing off the neighborhood bullies in those childhood obituaries, I was also writing myself into existence. There is healing in humor, and I’ve found a safe place to be zany, reflective and vulnerable — all at the same time.

Branding Colorblind Love:
New Frontiers in Interracial Dating?

"I Heart White Men."

You probably won't see that T-shirt hanging from a kiosk in the Crenshaw District or on 125th Street in Harlem, but merchandise marketing black women’s interracial relationships may be coming to a cyber store near you.

Earlier this year, I joked about creating a line of “Looking for Mr. White” tees for black women. My idea was a tongue-in-cheek response to the proliferation of black male/white female couplings, and also a nod to what I called the “Something New Movement” — an increased number of sisters choosing to date outside the race.

The blog Black Female Interracial Marriage appears to be on the verge of a similar movement – branding colorblind love. Created by Evia, a black woman married to a white man, the site recently posted information on this campaign: “Sistas, what words would scream IR interest yet be subtle enough for you as a bw to wear or have on your totebag?” Evia asks. “I will be selling gear (tote bags, caps, shirts, etc.) here that will signal to others in a subtle way that you are receptive to the possibility of an IR relationship of varied types.”

I must confess, reading Evia’s blog has become a guilty pleasure for me. The sidebar of her site features photos of famous and not-so-famous sisters happily embracing their white partners. Evia often pontificates on the beauty and desirability of black women, and encourages her readers not to limit their dating options to black men. She comes across as the Harriet Tubman of outmarriage, leading her charges to the Promised Land of Interracial Love.

In this world, black chicks rule. Her site celebrates black women – in all their hues – and provides balance to IR mainstays Heidi and Seal, Tiger and Elin that saturate the pages of US Weekly and People. Her space offers kinship and community to interracially involved black women who feel ostracized by society, or who simply want to see a loving representation of their relationships.

I get Evia’s message. I really do. But I’m uncomfortable with the idea of preference as product. Do sisters really need a discreet logo or badge to signify that they’re open-minded about relationships? And why does the insignia have to be “subtle”? Is there an unspoken fear that black women will catch a beat-down from black men for flaunting their interracial desires on designer totes, mugs and key chains? If this trend takes off, what’s next? A secret society complete with handshakes and passwords?

Just as I have issues with brothers who exclusively date non-black women, I am also suspicious of sisters who omit the color black from their kaleidoscopic courtships. People should be free to love whomever they please. But is interracial love still colorblind when you actively seek out mates based on skin tone? I would have a problem if Hakeem passed me on the sidewalk wearing an “I Heart Becky” hat. Although Evia often says black women should be open to potential suitors in a variety of races, not too long ago, she featured an “I Love Vanilla” button campaign on her site.

Here’s a suggestion: For those sisters who want to alert others that they’re open to dating out, why not purchase an orange awareness ribbon? The ribbon not only promotes cultural diversity, but also symbolizes solidarity with those fighting world hunger, lupus and Multiple Sclerosis. You can be an activist and get your interracial flirt on at the same time. Doesn’t that sound better than endorsing walking product placement?

My Dirty Little Secret

“What pornography is really about, ultimately, isn't sex but death.”
- Susan Sontag

I watched my first adult film at age 13.

Spending the night at my older cousin’s house promised to be an evening filled with girl talk, Jiffy Pop and Sixteen Candles in the VCR. But what transpired over the course of six hours was more hardcore than any Molly Ringwald movie.

My uncle and his girlfriend at the time were headed out on a date. To my shock, he dropped a dime bag of weed into my 15-year-old cousin’s lap, and admonished me not to tell anyone. Then, grabbing his jacket, he closed the door behind him and locked us in.

Claustrophobia was a hazy noose tightening around my neck. I was sandwiched between my cousin and her 15-year-old girlfriend on a love seat as they passed a joint back and forth, inches from my startled face. Instead of Sixteen Candles, we watched The Exorcist. I grew fearful that we weren’t alone in the apartment, a paranoia spurred by the contact high I was getting.

After a few hours of horror movies, my cousin decided to lighten the mood. Rifling through videotapes, she inserted one of my uncle’s pornos in the VCR. I felt like the heroine in a Donald Goines novel, trying valiantly to resist the pimp’s attempts to turn her out. But it was a battle I was slowly losing. The video was laughable, featuring ugly white guys with thick moustaches and corny names like “Dick Goezinya.” Yet, I was impressed by the skills of one fat, curly-haired man who could lean over and perform fellatio on himself. Ron Jeremy, as I later learned, was an unlikely icon in the porn industry.

More shocking than the sex acts appearing inches from our faces was my cousin and her friend’s reaction to the flick. They seemed stoic and bored, like restless kids trying to stay awake in church. But I became aroused by the moans and gyrations on the TV screen, even replaying the tape after the two girls had passed out on the couch in a bud-induced stupor.

Over the years, my flirtation with pornography became a full-fledged love affair. The video I watched that night at my cousin’s apartment awakened some dormant sexual desire in me. At 14, I would raid my older brother’s hidden stash of dirty magazines, and sneak them to my room to masturbate. When I went to the bookstore, I would buy soft core “Victorian romances” to supplement my diet of Sweet Valley High and Judy Blume novels. My favorite offering from Blume, the beloved teen author? Wifey. I had to hide my dog-eared copy in the back of my closet.

As a freshman at Hampton, I had a small library of X-rated titles “borrowed” from friends that I conveniently forgot to return. But I was growing bored with my hobby. Because I considered myself a critical thinker, porn was viewed as anti-intellectual and anti-woman. I didn't want to see myself as a hypersexualized underclassman who couldn't stop masturbating. I didn’t watch another X-rated movie until junior year. I got drunk with some homies and we picked up a Heather Hunter flick at the video store as a joke. I remember dozing off during her sexcapades, believing that my addiction had indeed fizzled out. For a few years, I developed an aversion to the Caught from Behind and Debbie Does Deliverance films of the world. Around that time, I started attending church, developing new friendships, and disdaining my dance with debauchery. Whatever comfort porn offered shriveled up like a raisin in the sun.

But even dried fruit can be reconstituted.

Earlier this year when Ray-J’s sex tape was leaked, curiosity got the best of me, and I went online to find a copy. In my quest to view the R&B singer’s home video with Kim Kardashian, I discovered several Web sites that boasted free porn. Religious beliefs aside, another reason I stopped watching flicks was the embarrassment of coming out of an X-rated store and being spotted with a tell-tale paper bag in hand. But my laptop became a portable sex shop, and I could browse all the three-minute videos I wanted.

At first, I convinced myself that I wasn’t doing anything wrong. After all, I had been celibate for six years, and at least I wasn’t sleeping around. But I was spending an inordinate amount of time on the computer – sometimes three to four hours a night – surfing sex sites. I knew I had a problem when I started watching online videos at 10 o'clock one evening, and didn’t shut down my computer until 6 in the a.m. After a while, I viewed the choreographed sex acts with the same stoic expression my cousin and her friend wore that fateful night so many years ago. But I couldn’t look away. Disaffection became a disease, and even when it was apparent that some of the women were being roughed up during intercourse, and several of the teens looked suspiciously underage, I didn’t avert my gaze. “MILF,” “facialized” and “cumshot” were unwanted entries in my mental dictionary. I started to feel corrupt, like a pedophile in a raincoat and shades, handing out hard candy to children in the park. But that didn’t stop me from logging onto my laptop every night.

A part of my spirit dies every time I stare through the window of my monitor into someone else's bedroom. I used to cry out of guilt when I did it, but I don't anymore. I know that, at 13, I was an unwilling participant in a perverse rite of passage, yet emotional tribal scars run deep. Maybe it's sexual repression, loneliness, excitement or an addictive personality that makes me turn to pornography. Sometimes, I fancy myself as Sula, the detached anti-hero who mourns, yet wholeheartedly embraces, her own fragmentation.

I mentioned this addiction to a girlfriend, and she warned me about the dangers of forming soul ties with my cyber partners. Her words hit home recently. I turned off the lights and got into bed after hours of net porn, and for several minutes, naked couples copulated against the darkened screen of my closed eyelids.

Here's where I'm supposed to insert: "But my relationship with Christ delivered me from this sinful compulsion." Sadly, I'm still looking for redemption. Sunday mornings have found me strolling the seedier online communities until it's time to get dressed for church. I know that I have many spiritual (and sisterly) bedfellows. According to 2006 statistics from Family Safe Media, 9.4 million women access adult Web sites every month, and 47 percent of Christians say pornography is a major problem in their households. That’s a whole lot of bawdy bandwidth being broadcast into the home.

I’m not proud of my dirty little secret, but I'm working hard to remove this cloak of shame. Instead of three to four hours a night of illicit net flicks, I’m down to 30 minutes every other day. Last night, right before I clicked on a porn portal, my finger hovered above the mouse, unsure. After moments of indecision, I went to my Favorites, and selected an Internet sermon on forgiveness. For me, this is deliverance … and not the kind that Debbie does.

Redefining the Rainbow:
How it Feels to be Colored Me

“But I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes. I do not mind at all. I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it … No, I do not weep at the world—I am too busy sharpening my oyster knife.”
– Zora Neale Hurston
“How it Feels to be Colored Me”


I love being a woman of color.

That might not be such a P.C. thing to proclaim in today’s color-blind utopia, race-is-a-social-construct society, but I love blackness in all its permutations.

There, I said it.

Recently, a very dear friend observed that I am hyperaware of pigmentation, particularly the dark variety. In other words, I'm color-obsessed. Guilty as charged. What can I say? I’m a writer dedicated to exploring the richness and complexity of African-American culture, particularly as it impacts black women. I notice race. I argue about race. I'm a racy chick.

The first op-ed piece that I published in the Baltimore Sun at age 22 was titled "The Multicultural Whirl of Racial Identity." This is the first line from that article: "The other night, an MCI operator called from New Mexico. In the course of haranguing me about the value of switching long-distance calling plans, the topic turned to race, as it frequently does in my conversations ..."

As a black woman living in the multicultural mosaic that is Los Angeles, sometimes my otherness stands out like a knock-off purse in the Prada store. But to crib from Zora Neale Hurston, I am not "tragically colored." I love being a card-carrying member of the sistagirl club, an identity that I am reluctant to exchange for simply being "human” or "American.”

But I didn’t always have a love affair with my melanin. Growing up in a predominantly white neighborhood in southeastern Pennsylvania, I wanted to swap skins with my playmates Christie and Joey. I thought I was white, or at least Asian. A grade school teacher assumed I was part Chinese and I promptly went home and asked my mother. I felt proud that someone else knew I wasn’t an ordinary black girl with thick lips and woolly pigtails.

The quasi-exotic illusion that I operated under was shattered at 10 when my family moved to a predominantly black part of town. I tried to fit in, but I found no kinship in my new community. I didn’t have any ethnic signifiers. I couldn’t dance, jump double dutch or speak slang as a second language. The kids I rode the bus with were always loud and menacing, bullying me for speaking “like a white girl." Blackness was as ugly and second-rate as my hand-me-down clothes.

I wouldn’t morph into a baby nationalist until my freshman year at a historically black college. But well before I started rocking “It’s a Black Thing, You Wouldn’t Understand!” T-shirts at Hampton University, a Jewish English teacher tossed me a lifeline. She perceived that I was struggling with identity issues, and recommended that I pick up some books by Zora Neale Hurston. As I read Their Eyes Were Watching God, I heard the dialect of my grandfather, my great-grandmother. Initially, I thought Zora’s works were a caricature of the black idiom, but later realized that she saw a lyrical beauty in the black vernacular, in black culture. She was unabashedly colored.

Zora’s contemporaries didn't view her so highly. Richard Wright of Native Son fame, wrote a scathing critique of Their Eyes, saying, "Miss Hurston voluntarily continues in her novel the tradition which was forced upon the Negro in the theater, that is, the minstrel technique that makes the 'white folks' laugh."

Black feminist writers, among them Alice Walker – who resurrected Zora’s works from obscurity – regarded her as a foremother. Walker believed that Zora’s male critics viewed a black woman’s self-determination in the 1930s as insignificant and unworthy of a platform. Yet, Walker saw a sense of “racial health” in Zora’s writing. She once wrote of Their Eyes, "There is enough self-love in that one book — love of community, culture, traditions — to restore a world."

Growing up in Eatonville, Florida, the first incorporated all-black town in America, Zora was surrounded by folks who celebrated blackness. Proud and self-governed (Zora’s father, John, was once elected mayor), they didn’t think themselves inferior to the white people who occasionally drove through their dusty back roads.

I largely credit Zora (and The Last Poets, Gil Scott-Heron, bell hooks and Malcolm X) with helping to ground me in this identity. My love affair with black culture doesn’t mean that I run around with a fist-shaped Afro pick and green-black-and-red medallion, shouting “Fight the Power” in my best Chuck D. impression. It means that I don’t back down from discussions of race in polite company. It means that I’m not afraid to confront racism for fear of offending (or scaring off) my non-black friends. For the longest time, I only believed I was a worthy writer if a white person said I was good. Not that I don’t respect the opinions of my non-black homies and mentors, but a white stamp of approval held more weight than a black one, or even my own.

As we move toward a more homogeneous society, the concept of race seems romanticized and antiquated. I support multiculturalism – I probably have more non-black friends in L.A. than black friends – and yet I wholeheartedly maintain my own identity. When I wrote my first book, California Schemin’: The Black Woman’s Guide to Surviving in L.A., a well-meaning friend suggested that I omit the word “black” from the title. It was more important to him that my book appeal to a wider fan base (read: white folks) than it was for me to articulate the unique struggle against invisibility and marginality that many black women face in La La Land. A tiny coda occurred a few years later when another friend called to say that a gay white couple was reading my book at the table next to her in California Pizza Kitchen.

Some may think I'm more Elle than Essence, more Valley Girl than around-the-way girl, but I am indelibly marked. Interestingly enough, this sense of racial pride was informed by my mother, a woman wholly liberated from racial labels. There is a bit of Zora in Lola, who doesn’t eschew her blackness, but finds humor in it, an inside joke she shares with her sistafriends. I see this in the way she nicknames them: Big girl. Chicken. Puddin’. Colored girl. Using identifiably ethnic monikers, she doesn’t transcend the culture, but revels in it. I, too, share this naming with my own sistagirls, and it symbolizes our collective journey, ascribes us to a healthy, vibrant, colorful history. We are Sojourner. Harriet Tubman. Miss Celie. Colored girl.

There’s a colored girl in every community, but as Zora would say, we are not weeping at the world. We are redefining the rainbow.

Loving across Color Lines

When I first moved to Los Angeles in 1998, KKBT The Beat was heavily promoting its “No Color Lines” campaign. At the time, I thought the movement's mantra was clichéd and overly simplistic.

That is until I heard Theo, the leader of the revolution.

Theo was a honey-throated DJ who figured prominently in my fantasies — and this was on the strength of his voice alone. Sexy, thuggish and effortlessly popular with the ladies and the homies, he was the golden boy of the city's hip-hop radio station. If the brother was promoting tolerance, I was all over it! So it was a major shock to come face-to-face with him at a club and discover that, for all of his 'hood markers, my future baby daddy was Asian. I quickly recovered from that bombshell, however, and decided that Theo Mizuhara was too alluring to exclude from my daydreams.

Fantasies fade, but even those interracial imaginings of mine wouldn't have been possible without landmark legislation that took place 40 years ago today. In the Loving v. Virginia ruling, the Supreme Court overturned a Virginia statute that prohibited whites from marrying nonwhites. At the heart of the case was a black woman, Mildred Jeter, who smacked down segregated society to marry Richard Loving, a white man.

June 12 marks a day of remembrance, a mixed-race lovefest. Although I appreciate the Lovings' struggle to desegregate relationships four decades ago, I'm still trying to emanicpate my inner interracial-dater hater. I don't suffer from Angry Black Woman Syndrome, yet I still feel a tad apprehensive when I spy mixed-raced couplings, particularly of the black male/white female variety.

Ironically, this nation's path to color-blind love was paved in part by a sister. Yet, according to the 2002 Census, black women are less likely to marry outside their race than black men. In 2002, there were 279,000 white female-black male marriages compared with 116,000 black female-white male marriages. Black men stroll down the aisle with non-black women at a greater rate — nearly 10 percent — than any other racial or gender group except Asian women.

A Korean writer reached out to me recently for my thoughts on interracial relationships. He read my article "Black Men, White Women, Mixed Emotions," and could relate to my ambivalence: a belief that love conquers all, and yet feeling that many, many brothers are jumping ship in search of it. Because I live in Los Angeles, the "Jungle Fever" capitol of the West Coast, one is hard pressed to find Heidi/Hakeem-free zones. I explained to this writer that even in the midst of my dating dilemmas, I didn't want to become that hostile chick who sucks her teeth and gives the side eye to Kobe, Tiger, Seal, Taye and other brothers (and yes, I include Tiger in that category) for loving non-black women. That stems from a belief that my relationship options are limited, that white women have the dating game on lockdown, or that I have a lease on the love life of black men. None of the above are true.

The swirl of racial politics surrounding dating and marriage is often hard to unravel. I joke about black women starting a "Something New" movement, but I realize I'm being reactionary ... and hypocritical. There are several blogs and Web sites that wholeheartedly encourage sisters to expand their dating options, particularly with white men. With statistics showing that 43.4 percent of black women between the ages of 30 to 34 have never experienced matrimonial bliss, "Looking for Mr. White" looks more and more like a viable option.

Misgivings aside, there is a part of me that wants to embrace the "No Color Lines" credo. Even though I haven't realized it fully, I am indebted to the Lovings for their sacrifice, and for reminding us that love is, and should be, colorblind. On this Remembrance Day, I pledge to keep my apprehension in check should I see Bilal cruising down the 101 freeway with Becky. I will not avert my eyes and act like these couples don't exist. Although I probably won't hug them and sell them a "Remembrance Day '07" tee shirt, I am going to remind myself that, ultimately, people have the right to love who they want to love. Theo would be proud of me.

Pole Dancing 101:
Bringing Sexy Back … Front and Center

“Sometimes, when I'm alone, I put on six inch heels and wear nothing else, and dance around in front of the mirror and do my little stripper dance.”
- Tori Spelling

“You gotta keep her off the pole!”
- Chris Rock


Vanilla-scented candles dotted the North Hollywood loft, and Guy’s “Piece of My Love” pulsated from speakers in the dimly lit room …

Sounds like the opening scene from a ghetto erotica novel. Now add to it four stainless steel poles and eight mats strategically placed on the floor and you have X-Polesitions, a pole dancing studio where women can bring sexy back, front and center.

“It’s expressing your sexuality through exercise,” says Leah Daniels-Butler, founder of X-Polesitions. Leah is a woman whom brothers back east would call “thick.” She doesn’t mind pointing out her problem areas, but drapes confidence about her like an old shawl. A former TV and film casting director with 16 years in the business, she opened her doors last October as a means of helping women feel comfortable in their own skin. “Sexiness is an attitude,” she says with a smile.

Last night, I took my first stroll around the pole. The invitation for X-Polesitions’ free intro class had been sitting in my inbox for months, but I never deleted it. To me, pole dancing conjured up clear stilettos, G-strings and crisp dollar bills. It seemed too naughty an activity for an upstanding (read: single and celibate) chick to be indulging in. But my inner siren got the best of me, so I scheduled an appointment.

On my way to the class, I shared the elevator with a 45-year-old white woman who was also attending. “You only live once,” she said, proudly displaying her new boob job. “What do you have to lose?”

Inhibition, for one thing. Seven dimepieces were lounging around the studio, half of them wearing Daisy Dukes and tight halters. I felt decidedly unsexy in my penitentiary gray tee shirt and elastic-waisted jogging pants. But I assured myself that if I felt too uncomfortable (if, say, an orgy erupted), I would discreetly grab my things and hit the door.

The first 30 to 40 minutes of class were spent warming up and doing stretches on the mat, albeit erotic ones. We learned techniques called the “Cat Pounce” and the “Ship’s Bitch.” During one position, Leah instructed us to slowly slide our hands down to our "chocha," a move that felt awkward for me. I couldn’t put my heart into the techniques because I just knew my cellulite was showing through the gauzy sweat pants.

The whole time I was sweeping my chocha across the mat, or bouncing my backside to Ludacris’ “What’s Your Fantasy?” I reflected on the love-hate relationship I have with my body. Since I’ve gained weight, I have to sneak up on my reflection in the mirror, and I try to hide my girth in bulky clothes. Yet even when I was 125 pounds, I never felt truly happy and at peace in my own skin.

Finally, it was time to work the poles. Although the X-Polesitions Web site boasts that its routines will help “build muscle strength and build cardiovascular ability,” we weren't there for the health benefits. Every woman in the room was eager to swing around that stainless steel like a veteran stripper, but we had to earn our stripes. Forming a circle, we were instructed to saunter sensuously across the parquet floor as “Make it Rain (I Make it Rain on Them Hoes)” blared in the background. We giggled. We bumped into each other. We felt clumsy getting our sexy stroll on, little girls trying on Mommy’s heels.

Satisfied with our performance, Leah had us assume the position. I know my limitations. I’ve been called “uncoordinated” since the fifth grade, and was never chosen to turn the rope in Double Dutch because I’m “double-handed.” But I approached the pole like my name was Candy and I was two months behind on the rent. The first five attempts, I could only manage half swings because I forgot to lift my right leg off the floor. But Leah was patient. “You have to trust that the pole is going to hold you,” she said, giving me a maternal nudge.

Finally, I let go. Both feet left the floor and I was hugging the pole like a long-lost lover. At that moment, I wished I still had a weave down my back and a fresh pedicure. I felt – dare I say it? – flirty! I wasn’t going home that night to practice my new tricks on some boy toy, but every woman needs to feel sexy, if only for herself.

After Leah pried us from the poles, we were treated to a collective lap dance by Antoinette, another instructor. Contrary to my initial thoughts, the women weren’t cast-offs from the strip club looking to make an extra buck. Antoinette has a bachelor’s degree in biochemistry, and she trained with a Cirque du Soleil dancer for a year and a half. We oohed and aahed as she sidled sinuously up the pole, performing backflips and splits like an urban aerialist. We admired her grace … but more importantly, her body was bangin’! We had co-opted her curves and her confidence as our own.

I know I’ll never wear Daisy Dukes or make my booty clap at the club, but as I donned my socks and sneakers after class, I realized that, despite my imperfections, I can find the courage to dance naked in front of my mirror again. I don’t need a pole for validation, but there’s nothing like candles, dim lights and 15 feet of gleaming stainless steel to bring out your inner sexpot.

I signed up for six more classes.

X-Polesitions, 5355 Cartwright Avenue, Suite 203, North Hollywood, CA 91601. For more information, visit the Web site: www.xpolesitions.com

De-Icing the Cryonic Woman:
The Journey from Abuse to Love

cryonics \kri- ä- nīks\ n. plural but usually singular in construction - the practice of freezing a dead diseased human in hopes of bringing her back to life at some future time when a cure for her disease has been developed.

I took a much needed break from composing my wedding vows to write this article.

How does a woman who hasn’t been on a date in two years leap from abstinence to the altar? I’m still working on that transition, hence the vows but no groom in sight. There is nothing wrong with being single, but the desire to be in a relationship, to be in love, has been strong as of late, as persistent as the sun piercing the smoggy Los Angeles skyline.

Why aren’t you dating?

I’ve been fielding that question for years, and lately, have been asking it of myself. Why aren’t I dating? I’m not a lipstick lesbian, and I’m not that picky, in spite of what some friends insist. I don’t buy into the “good man shortage,” and believe that yes, black women can find love in the City of Angels, despite statistics to the contrary. I don’t think I’m unattractive or undateable. The deli technician at Whole Foods calls me gorgeous each morning as he prepares my quarter pound of sesame kale. Every other day, unsolicited e-mails arrive in my inbox from strangers (complete with resumés, head shots and six-packs on display) wanting to do coffee or dinner. Random Negroes and non-Negroes alike stop me in parking lots, at supermarket checkout lines, in the stairwells of office buildings, at traffic lights, on studio lots and in department stores to get my number. There is no scarcity of potential suitors.

So why aren’t I dating?

I don’t believe all men are dogs, deadbeats, thugs, or abusive on some level. And yet, when it comes to intimacy with the opposite sex, I struggle to contain my inner ice queen. She emerges to sabotage relationships, deliberately pushing folks away and testing the limits of their loyalty, or more insidiously through cynical comments and aloof gestures. Although I can be loving and I want to be in love, my reality belies that desire. When I look around, I notice that I don’t have close relationships with my father, brother, uncle or male cousins, and my guy friends are few and far between. It’s as if the queen of ice has frozen me into indifference, and my heart has yet to thaw.

I don’t hate men, but I have been conditioned not to trust them. At 17, I lost my virginity to a man I both detested and feared. Jeff was one of the neighborhood drug dealers, an underling to his cousin, the kingpin. He used to cruise the streets of our small town in his mud-colored Pontiac, a giant beetle in search of other invertebrates. I knew he was trouble the minute he lowered his tinted window, and in another world, I wouldn’t have given him a second glance. Instead, I gave him my phone number.

My descent into apathy didn’t begin at 17 between the fists of a minor hustler. Years before, I had learned to be uncomfortable around men, so I made myself invisible in their presence. At 10, someone I loved, revered and was related to told me I had “a nice ass,” and fondled me between my legs. Fast forward four years, and I’m sitting on the staircase of my rowhouse wearing a Hershey Park tee shirt and jeans. Alone. An older male friend of the family drops by to chat about homework and grades, while glibly extolling the wonders of prostitution, or being a “skeezer” as it was called back then. I had recently developed breasts, and was conscious of how tightly the tee hugged my bosom during his “recruitment” speech. Those experiences, among others, taught me that men were both nice and nefarious, and I had to insulate myself against any emotional intrusion. I learned that I wasn’t worthy of love or respect, so at 17, by the time Jeff spun into my life in a brown haze, I was waiting for him.

I “dated” Jeff for one year, and God only knows what would have happened had I not escaped to college. Only a few friends were aware that I was being abused because I was too ashamed to ask for help. I was too frightened to dump a guy who slapped me publicly, attempted to smother me, yanked my hair, tried to break my arm, and who tortured me in his bedroom for three hours one winter night until I fled down three flights of stairs, out the front door, and down the street with no coat or shoes on.

Jeff never left black-and-blue marks on my skin, but not all scars are on the surface. Many women walk around wounded, like cosmopolitan Hester Prynnes, scarlet letters of Abuse embroidered into their Coach bags, Prada blouses and Victoria’s Secret bras. The summer of my junior year at Hampton, I hung out with three such sisters from my hometown, girls I had not associated with in high school. Our coming together seemed strange since we didn’t have the same interests or friends. I later learned the one thing we all had in common was abuse. We shared tales of mistreatment over dinner at Dennys, or while giggling nervously into drinks at the club. Stephanie’s* man beat her while she was pregnant, and she later lost the baby. China’s boyfriend used to perch on the roof of the building across the street from her rowhouse, like some thugged out, Kangol-wearing Spiderman, and watch her every move. Natalia, as short and cute as she was, used to get slammed against the wall by her lover at house parties. In some warped way, we were relishing our pain. For us, abuse was so normalized that we traded dating horror stories with all the gusto of old vets crowing over their Purple Hearts.

My first boyfriend was the only man who physically abused me, but after I left him, I kept attracting others who were violent on some level – emotionally, verbally, and psychically. I’m not a victim. I’m just trying to deconstruct the attitudes that enslaved me to dysfunctional relationships, and prevented me from believing I was worthy to give or receive love. Despite my past, abuse is not my identity. I have forgiven Jeff. I am told the man who choked me until I nearly passed out is now a police officer in a suburb of our small town. I have forgiven him, which is an ongoing process, and I have extended that same pardon to all the men whose names are tattooed on my inner thighs.

After years of hating men, fearing men, not trusting men, blaming men, it’s as if my heart is slowly defrosting, an ice floe sliced from a larger berg by a shaft of sunlight. I want to be in love! I want to do all the clichéd couple things: taking romantic walks on Venice Beach; chatting on the phone for hours; visiting museums; pretending to be all absorbed as I listen to jazz in Leimert Park and going restaurant hopping, Zagat guide tucked firmly into my purse. I contributed my share of toxins to relationships -- the oppressed rising up to become the oppressor – but I’m working hard not to contaminate future friendships. Despite my wounds (and those I have caused), there is no lack of love in my life, no lack of intimacy. Armed with this knowledge, I have begun reaching out to the men in my circle in an attempt at recovery. Real healing takes place in knowing that I may have nicks and bruises, but I’m not damaged goods, not damaged for good.

So pardon me as I resume my wedding vows. I hope to recite them one day soon … and not just to my own face in the mirror. I can’t divulge all the silliness I’ve penned so far, but this quote from Mari Evans’ poem “Celebration” sums up my covenant: “I will bring you a whole person/and you will bring me a whole person/and we will have us twice as much/of love and everything …”


* names changed to protect privacy